‘... being a great reporter is no guarantee that you can successfully sell your book, even when you’ve done cool stories about books.’

Earlier this year novelist Ann Patchett published on Byliner what it described as “a practical memoir about the agony, ecstasy, and occasional lunacy of the writing life.” What follows is…

‘… I liked the idea of being part of something new and something that attempts to reinvigorate the field of long-form journalism by re-engineering the business model that pays for…

‘The desire to have the best—or most salable—story must never undermine our responsibility to challenge even our most compelling material.’

Paul Lieberman, whose newspaper series is being adapted into the film “Gangster Squad,” offers tips—and cautions—for journalists when film or TV folks are interested in a story you have reported.…

This story is ‘about how the worlds of journalism and fiction writing are not as unimaginably different as one might think.’

In ‘Storycraft’ Jack Hart ‘reveals the story behind the stories.’

Several journalists have participated in Michele Weldon’s Writing to Save Your Life memoir writing workshops during the past decade. While she finds that journalists are at an advantage because of…

‘… it would be a while before people would say, “Hey, this is a book.” ’

‘I have come to realize that my obsessive precision—a great virtue in a reporter—wasn’t necessarily the greatest quality in a would-be memoirist.’