Search results for “Afghanistan”

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‘We Know Where You Live’

Working for a Western magazine in Iran, a journalist finds that he has acquired some surprisingly close acquaintances—from the ministry of intelligence. And strangely, they are all called Mr. Mohammadi.

A Visual Witness to Iran’s Revolution

In the mid-1960’s, Reza Deghati taught himself the principles of photography as a 14 year old living in Tabriz, Iran. During the early 1970’s, his pictures were of rural society…

Iran: News Happens, But Fewer Journalists Are There to Report It

In a time of global engagement—economic, political, environmental, energy and health, to name a few—budget cuts at news organizations severely limit foreign news coverage.

When the Predictable Overtakes the Real News About Iran

‘What makes news in the West are Iran’s "menacing" actions in Iraq or words against Israel, with such stories told in a similar narrative, encased in little context and with…

The American Homeland: Visualizing Our Sense of Security

“All America Day” at Fort Bragg, home of the 82nd Airborne, is a time when the public can enter the base and take part in military games. Here, a soldier…

Seven Visas = Continuity of Reporting From Iran

‘The Iranian government sometimes appears to favor U.S. reporters with little knowledge of the country who might be more amenable to spin, although that has not happened in my case.’

Spring 2009: Words & Reflections Introduction

News Photography in Afghanistan, Climate Change and Politics, and Economic Calamity and Coverage

The Ties That Bind: Newspapers and Nonfiction Books

What reporters do in their daily reporting can become the foundation for compelling storytelling in a book. So what happens when newsrooms shrink and support for long-term beat assignments dries…

To Prepare for the Future, Skip the Present

‘… today’s obsession with saving newspapers has meant that, for the most part, media companies have failed to plan adequately for tomorrow’s digital future.’

The Unchanging Essence of War Photography

The image’s power rests ‘in the hands of intrepid, artistically gifted photojournalists who travel to trouble and assemble what they find without written commentary.’