Sounding

Picking Up Where Slain Journalists Leave Off

Picking Up Where Slain Journalists Leave Off

For Sandrine Rigaud, NF ’25, a multicultural childhood opened a path to Forbidden Stories.
Less Arguing, More Doodling

Less Arguing, More Doodling

The virtues of taking a different route with sports journalism
Standing Up to Corruption and Violence

Standing Up to Corruption and Violence

Jaemark Tordecilla, NF ‘24, on the harassment, brutality, and financial pressures faced by journalists in the Philippines
"What comes first, being a journalist or being a citizen?" 

“What comes first, being a journalist or being a citizen?” 

Yana Lyushnevskaya, NF '24, on the difficult dilemma Ukrainian journalists face when covering war in their own country
How a Trip to Angola Helped One Reporter Tell the Story of Race in America

How a Trip to Angola Helped One Reporter Tell the Story of Race in America

Deborah Barfield Berry, NF '23, on covering slavery, the Civil Rights Movement, and the murder of George Floyd
“I Carry the Tears of Victims"

“I Carry the Tears of Victims”

Sheikh Sabiha Alam, NF '23, on covering human rights violations in the narrow space left for independent journalism in Bangladesh
Addressing Power Equity Issues in The News

Addressing Power Equity Issues in The News

Kristofer Ríos, NF '23, on why journalists need to be aware of the way we cover vulnerable or underrepresented communities
Upending the Entrenched Power Dynamics in Journalism

Upending the Entrenched Power Dynamics in Journalism

“I am at home everywhere, and nowhere. I am never a stranger and I never quite belong.” That quote by Belgian writer Georges Simenon hung above my 10th grade English…
Channeling a Childhood Passion into a Journalism Career

Channeling a Childhood Passion into a Journalism Career

How drawing maps — and a pitstop in urban planning — ultimately led to working on data visualization projects
By Diversifying Newsrooms, We Find People’s Full Humanity

By Diversifying Newsrooms, We Find People’s Full Humanity

This is a subheadWhy opening up documentary filmmaking is important for both the storytellers and the communities we cover