Articles

Deliberating Withholding Information to Create Suspense

McPhee’s New Yorker article, “Travels in Georgia,” is a joint profile of a man and a woman. McPhee is following them along through the state of Georgia, watching what they…

Pick compelling characters. Think in scenes. Create suspense.

Adam Hochschild focused on the basics of writing narratives. Pick compelling characters and breathe life into them. Think in scenes, as if you were a filmmaker. Create suspense by strategically…

‘The idea of meaning is central to storytelling.’

Jon Franklin got me to sit up right away as he talked about things like “character” and “plot”—words I’d associated with novels and short fiction, not journalism. These, he said,…

Historical Writing and the Revival of Narrative

‘…the line between scholarly and popular writing is now much more difficult to discern.’

Conference Diary

Ideas and insights, opinions and suggestions—all of these surfaced again and again in the swirl of presentations. What follows are snippets from these sessions that didn’t find a home on…

Serial Narratives

Their power comes from ‘that delicious sense of enforced waiting.’

An Unexpected Ending

“What Price the News” was written a couple of years ago but certainly resonates today because of the subject matter. The writer is a young man named Ian Stewart. And…

‘Stories are for eternity, when memory is erased, when there is nothing to remember except the story.’

Tim O’Brien had the bad fortune to be caught up in the Vietnam War, and he’s written about it several times, and he wrote a book called “The Things They…

A Love Fest on Narrative Elements

It’s the voice, you fool. No, it’s the theme, dummy. No, it’s the story, you buttonhead.

Endings

‘The inverted pyramid makes endings impossible.’