A young child, disabled by the effects of Agent Orange, cries after receiving his medication
March 15, 2010
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Visual Journalism
Photojournalism is changing, propelled by newsroom budget cuts, multimedia possibilities, and the ubiquity of digital images. In Visual Journalism, photojournalists write about emerging digital business strategies and their efforts to expand the reach of their photographs online and on gallery walls. They also share ideas about how to fund projects of personal passion and societal value. Their words tell vital stories about how they do their work; slideshows of their photographs—exclusive to our Web site—and multimedia presentations convey their visual stories. Read and watch as the future of photojournalism unfolds.
RELATED ARTICLE "Taking Time to Rethink, Adjust and Move Forward" -Justin MottSeverely disabled and abandoned at birth, 124 children live at the Ba Vi Orphanage and Elderly Home near Hanoi, Vietnam. They are believed to be third-generation victims of Agent Orange, a defoliant used by the U.S. military during the Vietnam War. (Story continues below.)
Two of the children at the center are locked in small cages during nap time for fear that they might try to run away or fight with other children
A young child, disabled by the effects of Agent Orange, cries after receiving his medication
The children are spoonfed gruel in their mass crib where they spend the majority of the day
A screaming child is carried for his afternoon bathing
A sick child is consoled by one of the caretakers. The children lack consistent affection because the center is underfunded and understaffed
The center lacks running water in certain buildings so the caretakers have to haul it from a nearby pond
A young child, severely disabled by the effects of Agent Orange and malnourished, is bathed by a caretaker
This boy wails as doctors inject his daily medication during their rounds. There is one doctor for the 124 disabled children
Most of the children spend the entire day indoors without any recreation or formal education
A group of children lie naked on the floor of the center, waiting to be bathed one by one by their caretakers. The center can’t afford soap so they wash the children with herbs they grow
This boy was tied to the bars of his bed with an old cloth because he kept wandering out of sight of the caretakers. In addition to looking after the children, the caretakers have to manage the everyday upkeep of the facility
A child stares at the ceiling lying in his small wooden crib during nap time. The children’s day consists of little activity outside their basic hygiene needs and meals
A caretaker makes her rounds of the center’s infant section during nap time. Many of these children will spend their entire life in the center with only a small fraction ever being adopted
Nothing is known about these children’s family histories and the center lacks the resources to conduct medical tests to prove such a link. To care for them, there is one doctor, two nurses, and six caretakers. Funding from the national government provides just $15 a month for each child. Eighty percent of them are mentally disabled. Most of the children who live here have no recreation, education or physical therapy; they spend the majority of their days in wooden chairs or in mass beds. Some children are prone to wandering off at night or harming the other children so they are locked in iron cages overnight and during afternoon naps. For the majority of these children, this is the only home they will ever know.
The Vietnam Association for Victims of Agent Orange is campaigning against American chemical companies that were involved in producing dioxin during the Vietnam War and seeking compensation for all victims. These children’s lives were a story I believed needed to be told—and it’s been gratifying to see the reach my photographs have had.
RELATED ARTICLE For another photojournalist’s project on Agent Orange, see the slideshow by Wendy WatrissI funded this project on my own and posted my photographs on my Web site. From that beginning, the story has spread wide. Newsweek posted my photographs on its Web site along with audio I had from my visits to the orphanage. I donated pictures to several nongovernmental organizations working on issues involving Agent Orange and some of my photographs have been exhibited in various countries.
I’ve entered some of them in photography contests, which I have found is a good way to get word about stories to the broader journalism community. In one instance I received a fellowship in humanistic photography from Parsons the New School for Design and Photo District News. By using social media, I am in touch with photographers and reporters, and I find out that some of them are working on the same story as I am. Together we spread word to different audiences about what we are doing and why.
Visual Journalism
Photojournalism is changing, propelled by newsroom budget cuts, multimedia possibilities, and the ubiquity of digital images. In Visual Journalism, photojournalists write about emerging digital business strategies and their efforts to expand the reach of their photographs online and on gallery walls. They also share ideas about how to fund projects of personal passion and societal value. Their words tell vital stories about how they do their work; slideshows of their photographs—exclusive to our Web site—and multimedia presentations convey their visual stories. Read and watch as the future of photojournalism unfolds.
To give a voice to India’s marginalized, Meena Kotwal launched The Mooknayak in 2021. Now, after four years of threats and abuse, she is afraid for her daughter and the future of her news platform.
