Photojournalism Dead? It's Just Changing With the Times
In the next 50 pages Nieman Reports take stock of photojournalism today. While problems are noted, the report is positive. The articles and the photo essays by 10 Nieman Fellows demonstrate the special value of pictures to news. As noted photographer Edward Steichen summed it up at the dinner celebrating his 90th birthday in 1969: “The mission of photography is to explain man to man and each man to himself. And that is no mean function.”
Alan Berner/The Seattle Times.
What is “People Without People?” For me it is the sense of people without them being there. It’s the part representing the whole. It’s the significant detail giving instant insight into the person, organization, the culture.
It’s inanimate. That excludes appendages of the person. It excludes their livestock, their pets. Unless stuffed. It excludes the lip with a cigarette but not the ashtray. It’s footprints on a path. It’s a closet of nooses at the Washington State Penitentiary death chamber.
The found photograph should stand on its own. It should have all the attributes of any good photograph: light, composition, mood, content and maybe even more difficult–moment.
It is not just the evidentiary connector between two other photographs drawing its strength from the others.
It’s Robert Frank’s “Ticker Tape” streaming down from unoccupied New York windows after the parade passed by. It’s Walker Evans’s photograph of a window of a Birmingham, Alabama, photographer’s business with simply the word “STUDIO” over hundreds of small pictures of his clients.
Alan Berner is a staff photographer at The Seattle Times.
