Nieman 80: Journalism That Makes a Difference
How are great journalists made? Often, it's pieces of great journalism that help form them, influencing their lives or careers in an indelible way. To celebrate the Nieman Foundation for Journalism's 80th anniversary in 2018, we asked Nieman Fellows to share works of journalism that in some way left a significant mark on them, their work or their beat, their country, or their culture. The result is what Nieman curator Ann Marie Lipinski calls "an accidental curriculum that has shaped generations of journalists"—a collection of 80 articles and investigations, books, photos, cartoons, podcasts, virtual reality installations, and more, works that have endured long after Niemans first read, listened, or viewed them. Niemans reflect on the <a href="https://niemanreports.org/nieman-eighty/">80 pieces of journalism that have influenced them most</a>.
It was the mid-’60s and I was in college and a guy I had never heard of—an alumnus of my college [Washington and Lee University] as it happened—was coming to speak. He was a journalist from New York. I was mildly interested as I had some writing aspirations, and almost without thinking I showed up to hear what he had to say.
[sidebar style="right" head="Nieman 80" deck=""]
More Nieman Fellows on exemplary journalism that influenced them[/sidebar]
It was Tom Wolfe and he was there to talk about “The Kandy-Kolored Tangerine-Flake Streamline Baby.” Wow! It was life-changing because his writing was so new, so different, so not like anything else journalistic! And so was he.
What he had done was not that hard to understand. He had simply taken the trouble to report very, very deeply and to pay sympathetic, embracing attention to what he was seeing, hearing, smelling, feeling, touching, and apprehending. And then writing it down as it looked, sounded, smelled, felt, and meant.
His book was a sumptuous assortment of wonderful pieces that were all, in their way, both extra-true and extra-revealing. For me, it was a revelation that there was something out there called New Journalism.
[sidebar head="The Kandy-Kolored Tangerine-Flake Streamline Baby" Deck="By Tom Wolfe
Farrar, Straus and Giroux, 1965" style="full"]
New Journalism[/sidebar]
[sidebar style="right" head="Nieman 80" deck=""]
More Nieman Fellows on exemplary journalism that influenced them[/sidebar]
It was Tom Wolfe and he was there to talk about “The Kandy-Kolored Tangerine-Flake Streamline Baby.” Wow! It was life-changing because his writing was so new, so different, so not like anything else journalistic! And so was he.
What he had done was not that hard to understand. He had simply taken the trouble to report very, very deeply and to pay sympathetic, embracing attention to what he was seeing, hearing, smelling, feeling, touching, and apprehending. And then writing it down as it looked, sounded, smelled, felt, and meant.
His book was a sumptuous assortment of wonderful pieces that were all, in their way, both extra-true and extra-revealing. For me, it was a revelation that there was something out there called New Journalism.
[sidebar head="The Kandy-Kolored Tangerine-Flake Streamline Baby" Deck="By Tom Wolfe
Farrar, Straus and Giroux, 1965" style="full"]
New Journalism[/sidebar]
