In “Death Makes the News: How the Media Censor and Display the Dead,” being published November 21 by NYU Press, social scientist Jessica M. Fishman probes a double standard in the U.S. media regarding images of death … Read more
Zeynep Tufekci is a scholar of social movements and the technologies on which they rely. In “Twitter and Tear Gas: The Power and Fragility of Networked Protest,” published May 16 by Yale University Press, she … Read more
In the age of heightened surveillance, the need for—and threat to—watchdog journalism has intensified, with Edward Snowden’s 2013 leak of classified documents signaling what may become a new norm in national security coverage. The impact of surveillance on investigative journalism … Read more
Scandinavian media giant Schibsted publishes Verdens Gang or VG, the number one online newspaper in Norway and the nation’s number two print daily. Schibsted’s approach to news is noteworthy because it “boasts some the most … Read more
We all know the gladiatorial press-pol narrative of this year’s presidential campaign: Donald Trump bashes journalists, then banishes them, while Hillary Clinton ducks, parries, and emphatically stays on-message. But a look back at a presidential free-for-all half a century ago–and … Read more
“There have never been as many information producers as there are today. Paradoxically, the media have never been in worse shape,” economics professor Julia Cagé writes in her book “Saving the Media: Capitalism, Crowdfunding, and Democracy,” published … Read more
Astronomer and longtime professor David J. Helfand has taught scientific habits of mind to generations of undergraduates at Columbia University. His first book, “A Survival Guide to the … Read more
The New Yorker’s cartoons and covers have been well-loved since its founding in 1925. It was Rea Irvin, the first employee (his title was “art editor”), who is responsible for the magazine’s visual character. Irvin created hundreds of New Yorker covers, … Read more
Spending hours sitting alone at a drawing table, cartoonist Jessica Abel often listens to public radio, a habit that turned her into a devotee. Abel calls radio “the most fertile ground for narrative nonfiction in English-language media.” … Read more
This happened in a roundabout sort of way. I had spent time with the U.S. military in Iraq and Afghanistan, but many journalists did far more embeds and saw far more fighting. Most of my reporting around conflict involved … Read more
